I’m pleased to announce that Fini is (finally) rolling out “PrimaryShots” (PS).

PS is an idea that’s been rolling around my noggin’ for a while. It answers my question: How do I help filmmakers who can least afford me, yet most need me?

The PS concept is simple: You’ve locked picture on your film, you’re happy with the story but you know both sound and visuals need help. You’re on a shoestring budget so you can’t afford a company like Fini. You’d love nothing more than for a professional colorist to come in, color correct a few shots for you (kickstarting your color correct) and give you some pointers on how to proceed. After that, you’ll take it from there.

That, my dear reader, is the essence of PrimaryShots!

It comes in 3 simple packages, at three simple price points.

We handle roundtrip shipping of the hard drive, getting your film or doc into our edit room. We have Office Hours, during which you can call us and ask questions or get help. You’ll have a private forum so you can talk to me, your colorist – and I’ll answer as my schedule allows.

And because nothing motivates like a deadline: From the time we email  you your project file you’ll have our attention for 6 weeks. After that… Well, after that you’ll be done? Right? Don’t be lounging around. We can’t support you forever (although you will have continued access to our general PrimaryShots forums). So, as we say around here…

Get it FINI!

Full PrimaryShots details here.

Related posts:

1. Our Color Correction Demo Reel is up
2. Silent Auction: 30 hours of Color Correction
3. “Beyond Ipanema” screening at SXSW 2010
4. Control the Color Wheels in Final Cut and Apple’s Color
5. A shot across Color’s bow???