Our Color Correction Demo Reel is up
After
finding myself with some extra time on my hands - I decided to
finally finish (actually - start) Fini’s color correction
demo reel. You can find it here.
There are two types of demo reels for color correction. The traditional reel is a series of beauty shots. The less traditional reel is the Before / After reel.
I spoke to a few producers with lots of experience hiring film colorists. To a person they said the traditional reel was what I should produce. They felt that a Before / After reel was the sign of an inexperienced colorist. I thought about this long and hard... I decided to go against this advice. My clients aren’t their clients. I was talking to the wrong people.
Unlike clients buying $600 / hour telecine suites, my clients don’t have experience sitting with a Color’ist. At best they’ve worked with a good Avid Symphony online editor who does a good job but rarely approaches it as a career specialty. At worst, my clients don’t quite get it; after all, except for a few tweaks the footage already looks good. Right????
So - unlike a film colorist, I have a ton of educating I need to do with my clients. The Before / After Reel is a tool designed for that job. In fact, I’ve already had one producer say to me, “Perfect - my client has been having a hard time understanding the need for color correction. This reel explains it clearly.”
And before you ask/complain, the music is temporary. A friend is scoring to it.
Any feedback on the reel is always appreciated!
- pi
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There are two types of demo reels for color correction. The traditional reel is a series of beauty shots. The less traditional reel is the Before / After reel.
I spoke to a few producers with lots of experience hiring film colorists. To a person they said the traditional reel was what I should produce. They felt that a Before / After reel was the sign of an inexperienced colorist. I thought about this long and hard... I decided to go against this advice. My clients aren’t their clients. I was talking to the wrong people.
Unlike clients buying $600 / hour telecine suites, my clients don’t have experience sitting with a Color’ist. At best they’ve worked with a good Avid Symphony online editor who does a good job but rarely approaches it as a career specialty. At worst, my clients don’t quite get it; after all, except for a few tweaks the footage already looks good. Right????
So - unlike a film colorist, I have a ton of educating I need to do with my clients. The Before / After Reel is a tool designed for that job. In fact, I’ve already had one producer say to me, “Perfect - my client has been having a hard time understanding the need for color correction. This reel explains it clearly.”
And before you ask/complain, the music is temporary. A friend is scoring to it.
Any feedback on the reel is always appreciated!
- pi
