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	<title>Fini.tv : Color Grading in Apple Color</title>
	<link>http://www.fini.tv</link>
	<description>Helping Filmmakers navigate the final stages of color correction and delivery.</description>
	<lastBuildDate>Fri, 02 Jul 2010 13:01:21 +0000</lastBuildDate>
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		<title>Tao Of Color.com &#8211; Leave Feedback, Get Free Training</title>
		<description><![CDATA[ Join the forum discussion on this post
Fini.tv and Patrick Inhofer are proud to announce the launch of our new website: www.TaoOfColor.com
It&#8217;s a site dedicated to training, forums, feedback, and mentoring &#8211; on the topic of Color Grading; with forays into Finishing and Online Editing.
To kick things off we started a 4th of July promotion [...]]]></description>
		<link>http://www.fini.tv/2010/07/02/tao-of-color-com-leave-feedback-get-free-training/</link>
			</item>
	<item>
		<title>Mixing Light &amp; Sound</title>
		<description><![CDATA[How To Think Like A Post-Production Supervisor
Tonight I&#8217;m teaming up with Peter Levin of Splash Studios to do a free seminar, &#8220;Mixing Light &#38; Sound: Strategies for Finishing Your Project&#8221;.
It could also be called, How To Think Like a Post Production Supervisor.
Peter is a terrific audio mixer, his wife Barbara a talented Dialog Editor. Their [...]]]></description>
		<link>http://www.fini.tv/2010/04/29/mixing-light-sound/</link>
			</item>
	<item>
		<title>Fini Experiments with Facebook</title>
		<description><![CDATA[If you like this blog, then connect with me on Facebook via Fini.tv&#8217;s Facebook page.
Why am I suggesting this?
5 years ago a blog like this is how we all shared our thoughts, with quick hits and long posts all interspersed. As my blog has become the face of Fini.tv (literally on the front page) I&#8217;m [...]]]></description>
		<link>http://www.fini.tv/2010/04/26/fini-experiments-with-facebook/</link>
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		<title>&#8220;What Would James Cameron Do&#8221; &amp; Prime Time Mediocrity</title>
		<description><![CDATA[
Lying in bed, sick, watching Prime Time televsion in NTSC for the first time in years - I couldn&#8217;t help to juxtapose the train wreck I was seeing on the screen with an article in The Hollywood Reporter concerning the deliverables for Avatar: (stay with me on this&#8230;)
&#8220;No studio has ever faced what we faced on [...]]]></description>
		<link>http://www.fini.tv/2010/04/16/what-would-james-cameron-do-prime-time-mediocrity/</link>
			</item>
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		<title>NAB 2010 &#8211; Initial Thoughts</title>
		<description><![CDATA[What are the big items that have caught my eye watching Twitter feeds and reading Press Releases on Day 1 of NAB? Here are my (purely selfish) top three:
DaVinci Resolve on Mac
When BlackMagic bought DaVinci last year here&#8217;s what I wished for this NAB:

DaVinci Resolve.
For Mac.
Under $15k.

I figured that BlackMagic would price the Resolve near Smoke [...]]]></description>
		<link>http://www.fini.tv/2010/04/12/nab-2010-initial-thoughts/</link>
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		<title>Ars Techica: Good Intentions, (mostly) Bad Filmmaking Advice</title>
		<description><![CDATA[&#8220;How not to write an article about the post-production pipeline&#8221; is what  should be the name of an Ars Technica piece was recently posted, &#8220;How To Do Pro-Quality Video Post-Production at Home&#8220;.
I was about to use this space to issue a screed against the article, and then I read the comments and discovered plenty of others [...]]]></description>
		<link>http://www.fini.tv/2010/03/24/ars-techica-good-intentions-mostly-bad-filmmaking-advice/</link>
			</item>
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		<title>Control the Color Wheels in Final Cut and Apple&#8217;s Color</title>
		<description><![CDATA[ Join the forum discussion on this post
Why do different color wheels in different pieces of software and applications act differently?
How does that answer effect our approach to color grading?
Those two thoughts came to the top of my mind when reading Oliver Peter&#8217;s excellent post, Grading with Color Wheels. Why don&#8217;t you head over there [...]]]></description>
		<link>http://www.fini.tv/2010/03/23/color-wheels-in-final-cut-pro-and-apples-color/</link>
			</item>
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		<title>Feed Update : We&#8217;re lurching back to life!</title>
		<description><![CDATA[Quick note to those of you that still have me in their feed. First, Thanks! Second, I&#8217;m moving off my old platform onto Wordpress. I suspect when I import all my old posts they&#8217;re going to overwhelm the feed. 
If that happens, my apologies. Just mark everything read. A day or two later I&#8217;ll refresh [...]]]></description>
		<link>http://www.fini.tv/2010/03/22/feed-update-were-lurching-back-to-life/</link>
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		<title>Patrick interviewed about grading &amp; finishing</title>
		<description><![CDATA[ Join the forum discussion on this post
I just wrapped a 14 minute interview on Digital Production Buzz with Larry Jordon and his trusty sidekick Michael Horton. It seems I&#8217;ll never kick those pre-stage jitters that always haunted from the earliest time I acted on stage in junior high.
I&#8217;ll update with a link to audio [...]]]></description>
		<link>http://www.fini.tv/2010/03/18/patrick-interviewed-about-grading-finishing/</link>
			</item>
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		<title>New color correction service: PrimaryShots</title>
		<description><![CDATA[I&#8217;m pleased to announce that Fini is (finally) rolling out &#8220;PrimaryShots&#8221; (PS).
PS is an idea that&#8217;s been rolling around my noggin&#8217; for a while. It answers my question: How do I help filmmakers who can least afford me, yet most need me?
The PS concept is simple: You&#8217;ve locked picture on your film, you&#8217;re happy with [...]]]></description>
		<link>http://www.fini.tv/2010/03/18/fini-rolls-out-a-new-color-correction-service-keyshots/</link>
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